I’d have to say that’s a definite “yes.” And it’s an exercise to help streamline my novel writing. I don’t want to be Hemingway-like in my brevity, but I do want to keep the story moving. And short poetry forms make us choose our words carefully!
By the way, is a little unrelated, but I’ve been meaning to ask you if you’ve read Elly Griffiths’s books based on her Ruth Galloway mysteries. The main character is a forensic archaeologist residing on the English coast. I’ve read her first two, and I believe a third is coming. She infuses archaeology into the mystery, and they are really quite good. Nice scene description, too.
I haven’t seen Griffiths’s books, but they definitely sound interesting. Different plot line obviously, but it’d be interesting to see how the archaeologist is portrayed. Indiana Jones is fun, but I don’t know any in real life—darn!
I’ll be attempting some more archaeology-based poetry.
Like many young piano students, I was oblivious to the stories behind the great pieces. Fur Elise was one of the first “classical” pieces I learned. Its notes are deceptively simple. It’s how you play them that makes the difference. In a 10-year-old’s hands, they’re tolerable. In a master’s, they come to life.
Thanks, Kate! Hmm, maybe the Society for American Archaeology or Register of Professional Archaeologists would do it…. Nah, most archaeologists aren’t the poetic type! But some can write in a popular style. I’m looking for good archaeology blogs like that so I can put together a set of links on my blog if readers would like to check out more of the real thing.
I liked this one when I finished it. I wasn’t sure how it would go over with people who are really good at poetry, but I wanted to try something different. The past has that romantic, evocative feel to it. I hoped I could mesh that with the reality of archaeology.
That’s lovely! Do I see fivereflection’s beautiful inspiration here?
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I’d have to say that’s a definite “yes.” And it’s an exercise to help streamline my novel writing. I don’t want to be Hemingway-like in my brevity, but I do want to keep the story moving. And short poetry forms make us choose our words carefully!
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don’t know jm, but I like your word choices here. Uniquely your own, I’d say! And very nicely done 😉
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Thanks, Jeannie 🙂
I’m not saying I’ll do them every Tuesday, but they do make me think differently. And that’s good.
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So much said in so few words. Love it!
By the way, is a little unrelated, but I’ve been meaning to ask you if you’ve read Elly Griffiths’s books based on her Ruth Galloway mysteries. The main character is a forensic archaeologist residing on the English coast. I’ve read her first two, and I believe a third is coming. She infuses archaeology into the mystery, and they are really quite good. Nice scene description, too.
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Thanks, Carrie!
I haven’t seen Griffiths’s books, but they definitely sound interesting. Different plot line obviously, but it’d be interesting to see how the archaeologist is portrayed. Indiana Jones is fun, but I don’t know any in real life—darn!
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This really worked…the past and present so beautifully combined, Robin
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Thanks so much. That really means a lot coming from someone as talented as you.
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beautiful imagery in so few words. Nice job.
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Thanks, Char. This is really something I’ve never done much before. It’s been a long time since I tried to write any kind of poetry.
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That is so cool. I love it! 🙂 Love how you melded the past in the present. Gorgeous!
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*Blush.* Thanks, Kourtney! Maybe I’ll inspire someone to become an archaeologist! 😉
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This is totally awesome! I hope to see many more
Do I hear ‘Fur Elise’ playing in your near future?
Beethoven’s Fur Elise
(Bagatelle in A Minor Wo0 59) la mineur a-Moll Vladimir Ashkenazy piano
“A powerful love ending in a broken heart’s soothing pulse, pleading with the universe in a mysterious deep prayer that draws us into his sorrow”
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I’ll be attempting some more archaeology-based poetry.
Like many young piano students, I was oblivious to the stories behind the great pieces. Fur Elise was one of the first “classical” pieces I learned. Its notes are deceptively simple. It’s how you play them that makes the difference. In a 10-year-old’s hands, they’re tolerable. In a master’s, they come to life.
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Beautiful. it should be adopted by “Archaeologists, Inc” as a job description 😉
(I’m sure there is no such group as Archaeologists, Inc, but you know what I mean.)
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Thanks, Kate! Hmm, maybe the Society for American Archaeology or Register of Professional Archaeologists would do it…. Nah, most archaeologists aren’t the poetic type! But some can write in a popular style. I’m looking for good archaeology blogs like that so I can put together a set of links on my blog if readers would like to check out more of the real thing.
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Oh, I like this one. It says so much with so little. (envious here) It does sound like the beginning of more to come….(now going back to the 2nd one)
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I liked this one when I finished it. I wasn’t sure how it would go over with people who are really good at poetry, but I wanted to try something different. The past has that romantic, evocative feel to it. I hoped I could mesh that with the reality of archaeology.
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I love it!
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Thank you!
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