22 thoughts on “Poetic Archaeology 1”

1. That’s lovely! Do I see fivereflection’s beautiful inspiration here?

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   • I’d have to say that’s a definite “yes.” And it’s an exercise to help streamline my novel writing. I don’t want to be Hemingway-like in my brevity, but I do want to keep the story moving. And short poetry forms make us choose our words carefully!

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2. don’t know jm, but I like your word choices here. Uniquely your own, I’d say! And very nicely done 😉

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   • Thanks, Jeannie 🙂

     I’m not saying I’ll do them every Tuesday, but they do make me think differently. And that’s good.

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3. So much said in so few words. Love it!

   By the way, is a little unrelated, but I’ve been meaning to ask you if you’ve read Elly Griffiths’s books based on her Ruth Galloway mysteries. The main character is a forensic archaeologist residing on the English coast. I’ve read her first two, and I believe a third is coming. She infuses archaeology into the mystery, and they are really quite good. Nice scene description, too.

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   • Thanks, Carrie!

     I haven’t seen Griffiths’s books, but they definitely sound interesting. Different plot line obviously, but it’d be interesting to see how the archaeologist is portrayed. Indiana Jones is fun, but I don’t know any in real life—darn!

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4. This really worked…the past and present so beautifully combined, Robin

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   • Thanks so much. That really means a lot coming from someone as talented as you.

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5. beautiful imagery in so few words. Nice job.

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6. Thanks, Char. This is really something I’ve never done much before. It’s been a long time since I tried to write any kind of poetry.

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7. That is so cool. I love it! 🙂 Love how you melded the past in the present. Gorgeous!

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   • *Blush.* Thanks, Kourtney! Maybe I’ll inspire someone to become an archaeologist! 😉

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8. This is totally awesome! I hope to see many more

   Do I hear ‘Fur Elise’ playing in your near future?

   Beethoven’s Fur Elise
   (Bagatelle in A Minor Wo0 59) la mineur a-Moll Vladimir Ashkenazy piano

   “A powerful love ending in a broken heart’s soothing pulse, pleading with the universe in a mysterious deep prayer that draws us into his sorrow”

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   • I’ll be attempting some more archaeology-based poetry.

     Like many young piano students, I was oblivious to the stories behind the great pieces. Fur Elise was one of the first “classical” pieces I learned. Its notes are deceptively simple. It’s how you play them that makes the difference. In a 10-year-old’s hands, they’re tolerable. In a master’s, they come to life.

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9. Beautiful. it should be adopted by “Archaeologists, Inc” as a job description 😉

   (I’m sure there is no such group as Archaeologists, Inc, but you know what I mean.)

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   • Thanks, Kate! Hmm, maybe the Society for American Archaeology or Register of Professional Archaeologists would do it…. Nah, most archaeologists aren’t the poetic type! But some can write in a popular style. I’m looking for good archaeology blogs like that so I can put together a set of links on my blog if readers would like to check out more of the real thing.

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10. Pingback: Poetic Archaeology 2 « jmmcdowell

11. Oh, I like this one. It says so much with so little. (envious here) It does sound like the beginning of more to come….(now going back to the 2nd one)

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    • I liked this one when I finished it. I wasn’t sure how it would go over with people who are really good at poetry, but I wanted to try something different. The past has that romantic, evocative feel to it. I hoped I could mesh that with the reality of archaeology.

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12. Pingback: Some Light Reading | jmmcdowell

13. I love it!

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    • Thank you!

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